#GSWITCH WITH MORE THAN 2 MAX MSP GENERATOR#
#GSWITCH WITH MORE THAN 2 MAX MSP PATCH#
#GSWITCH WITH MORE THAN 2 MAX MSP FULL#
#GSWITCH WITH MORE THAN 2 MAX MSP SOFTWARE#

Problem solving – Ma圆 downgrade / ICST Ambisonics tools / Delay FX / Filter FX _CMT 5 1 OSC four tab setup_.touchosc (TouchOSC patch)ĪLL IMAGES NEED TRANSFERRING FROM BLACKBOARD BLOG TO WORDPRESS

#GSWITCH WITH MORE THAN 2 MAX MSP SOFTWARE#

Its a powerful software tool that I think will allow me to solve many technical ‘problems’ in the future.Ġ02e MAX6 OSC mapping.maxpat (Ma圆 patch) Overall though I am pleased with the presented project in relation to my understanding of MaxMSP software having only used the program for the first time back in Spring 2015. As well as maybe incorporating motion or pressure sensors to trigger the playback system sounds as opposed to them always playing back could be an intriguing way to subtly invite an audience into the piece. There is room to further develop the surround sound part of the piece I believe. I feel that what I have created here could be viewed as a digital version of what the Dada and Fluxus ideas suggested but taken further. Some of the works by John Cage, Yoko Ono and various members of the Fluxus movement have used cut-up and random chance methods too in their work to great effect albeit with analogue technology.

What I like about the interactive system I’ve created is that It still feels very much connected to my original idea with its use of a random selection process to create a nonlinear playback of ‘organised’ words but also allows a multitude of options sonically and musically depending on the content input and the user interation.Īrtists such as William Burroughs, Brion Gysin and David Bowie have applied cut-up techniques in their poems and lyrics using paper & pen versions of the Tristan Tzara suggestion in the Dada Manifesto to create a Dadaist poem (mentioned in a previous blogpost titled Time and space – initial ideas on 18 October 2015.

#GSWITCH WITH MORE THAN 2 MAX MSP GENERATOR#

There is also a random element to the playback of files that suggests the user could attempt to improvise alongside the systems choice of files to play.Īrtistically I now feel my initial idea of creating a Dadaist poem generator was a perfect starting point for what helped develop the idea contextually once the system was working. This could create a rich tonal soundscape with the varying timbres using speed control of the multiple sample playback engines while feeding the signals to the Filter or Delay FX. Therefore I have incorporated further tools to be applied and to manipulate the content. But even with a users voice or additional interaction of the playback of the files it could be considered unimaginative beyond the first or the second listen. By this I mean that without the content or influence of a user this piece is nothing but an empty system. The ‘interactivity’ of my piece of work here is demonstrated via its desire for inputted content and an output operation from the user. using sensors triggering the manipulation of sounds. Interactivity with use of digital technologyĪppeal to a broad age group or audience if presented appropriate to the setting, eg.

Key aspects featured in my piece include: Some reflection on the piece led to the following. This was followed up with valuable constructive feedback. The system worked fully and many audience members were interested enough to want to interact with the system and perform with it.

#GSWITCH WITH MORE THAN 2 MAX MSP PATCH#

The Max patch and TouchOSC interface performed as expected while being presented, (video evidence exists). This meant that for my presentation and submission I used an earlier TouchOSC iPad interface without all the interactivity I had designed to be part of the system. I still have the screenshots and the patch and would very much like to test on another iPad for where the corruption of the file may be. After reconfiguration and creating the same patch again from memory and a screenshot that I had created the same issue occurred leading me to believe there must be a bug in the software.

#GSWITCH WITH MORE THAN 2 MAX MSP FULL#

Further investigation showed a full reinstall of the iPad app software was required but this still wouldn’t load the patch. This caused damage to the patch and subsequently would not transfer or allow the app on the iPad to load. My system functioned well and it was an enjoyable experience to present my work, hear feedback from interested audience members and answer their questions.ġ8 hours previously TouchOSC had crashed and corrupted the interface patch file while syncing from the Touch OSC Editor software on my Macbook Pro.

Gswitch with more than 2 max msp